Sly and The Family Stone - Sly Stone

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Back on the Right Track

(1979)

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Back on the Right Track
Ref.: Warner Bros. Records BSK 3303
Date: 1979
Musicians:
Sylvester Stewart: vocals, keyboards, harmonica
Mark Davis: keyboards
Walter Downing: keyboards
Alvin Taylor: drums
Keni Burke: bass
Hamp Banks: guitar
Joseph Baker: guitar
Roscoe Peterson: guitar
Ollie E. Brown: percussion
Cynthia Robinson: trumpet
Pat Rizzo: saxophone
Steve Madaio, Gary Herbig, Fred Smith: horns
Rose Banks, Lisa Banks, Joe Baker, Freddie Stewart: background vocals
Karat Faye: Engineer

Tracks

01. Remember Who You Are info
02. Back On The Right Track info
03. If It's Not Addin' Up info
04. The Same Thing (Makes You Laugh, Makes You Cry) info
05. Shine It On info
06. It Takes All Kinds info
07. Who's To Say info
08. Sheer Energy info

Notes

Back on the Right Track is the ninth album by Sly & the Family Stone, released by Warner Bros. Records in 1979.

Released: November 3, 1979
Recorded: 1979
Length: 26:56
Producer: Mark Davis

Releases
1979 Back on the Right Track [Abridged] United States 8 Track Warner Bros.
1979 Back on the Right Track United States Vinyl LP Warner Bros. BSK 3303
1994 Remember Who You Are CD Charly cpcd 8033
1998 Back on the Right Track [Abridged], [Bonus Tracks] United States CD Mastertone 8323
2009 Back on the Right Track [Remastered] CD Friday

Reviews

By the late '70s, Sly Stone had been so thoroughly written off as a has-been that few listeners checked out Back on the Right Track. Nor have listeners been inspired to rediscover the album, since his late-'60s/early-'70s classics cast such a huge shadow over his subsequent work. It comes as somewhat of a surprise, then, to find the basic Stone soul/rock/funk foundation still firmly in place here. There were two problems: the foundation didn't make any notable advancements on the territory he'd already mapped out by the early '70s, and the songs themselves weren't that special, sounding more like basic vamps or promising scraps than fully baked ideas. Judged solely on its own terms, it's actually a respectable slice of funk; it's only when stacked against Stone's other works that the disappointment becomes intense. Richie Unterberger. AllMusic
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