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Heard Ya Missed Me, Well I'm Back

(1976)

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Heard Ya Missed Me, Well I'm Back
Ref.: Epic PE 34348
Date: 1976
Musicians:
Sly Stone: vocals, keyboards, guitar, bass, various instruments
Cynthia Robinson: trumpet, vocals
Joe Baker: guitar, vocals
Dwight Hogan: bass, vocals
John Colla: alto and soprano saxophone, vocals
Steve Schuster: tenor saxophone, flute
John Farey: keyboards, percussion
Virginia Ayers: vocals, percussion
Anthony Warren: drums
M'Lady Bianca: lead and background vocals, clavinet
Vicki Blackwell: violin
Karat Faye: Engineer
Ed Bogas & Sly: string arrangements
Armando Peraza: timbales, congas
Peter Frampton: guitar on "Let's Be Together"
Sister Vet & Cousin Tiny: vocals

Tracks

01. Heard Ya Missed Me, Well I'm Back info
02. What Was I Thinkin' in My Head info
03. Nothing Less Than Happiness info
04. Sexy Situation info
05. Blessing in Disguise info
06. Everything in You info
07. Mother Is A Hippie info
08. Let's Be Together info
09. The Thing info
10. Family Again info

Notes

Heard Ya Missed Me, Well I'm Back is the eighth album by Sly & the Family Stone, released by Epic/CBS Records in 1976.

Released: December 18, 1976
Recorded: 1976
Length: 28:42
Producer: Sly Stone

Releases
2001 CD Sony Music Distribution ESCA-7582
1995 CD Epic 7582
1976 LP Epic 34348

Reviews

The title says it all: Heard Ya Missed Me, Well I'm Back. Well, it kind of does. Then again, maybe not. Yes, this is a clear-cut comeback album for Sly Stone after his descent into hitlessness, and yes, his legion of fans did miss him — or at least the Sly of old, the one who'd recorded such classic albums as Stand!, There's a Riot Goin' On, and Fresh. But no, though Sly & the Family Stone may get the billing here and may have indeed recorded this album, it's not the Sly & the Family Stone that fans had missed. In fact, Heard Ya Missed Me, Well I'm Back plays like a Philly soul version of Sly & the Family Stone, or something like that. It's an odd album, for sure, and while its oddness may prove intriguing upon initial listen, it's not because it's a great album. Truth be told, it's not even a good album. It's simply odd, and quite slight at that. There are a few glimmers of greatness here, but only a spare few. So if you're a Sly fanatic or completist, or if you're just plain curious to see why this album is so unappreciated even by hardcore fans, feel free to track it down (which won't be easy, since it was out of print for years). But don't expect this to be some long-lost diamond in the rough. If that's what you're looking for — a latter-day Sly album worth hounding — crate-dig for High on You (even if only for a few key hip-hop samples) or Back on the Right Track (a sincere comeback attempt, albeit one that fell short of the mark). Heard Ya Missed Me, Well I'm Back contends with Ain't But the One Way for the least-essential Sly album, and for the status of which is the oddest (discounting that God-awful disco remix album that closed out Sly's Epic contract, of course). Jason Birchmeier. AllMusic
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